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The Triumph of Pleasure: Louis XIV and the Politics of Spectacle de Georgia J. Cowart
Descripción - Críticas 'One of the great strengths of Cowart's book is precisely its chronological scope.... Cowart's reach, combined with her considerable erudition and meticulous scholarship, allows her to make some very suggestive parallels between works that might otherwise have passed unnoticed.' (Times Literary Supplement)' Reseña del editor Prominent components of Louis XIV's propaganda, the arts of spectacle also became sources of a potent resistance to the monarchy in late seventeenth-century France. With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority. Exploring these arts from the perspective of spectacle as it emerged from the court into the Parisian public sphere, Cowart ultimately situates the ballet and related genres as the missing link between an imagery of propaganda and an imagery of political protest. Biografía del autor Georgia J. Cowart is professor of music at Case Western Reserve University.
Detalles del Libro
- Name: The Triumph of Pleasure: Louis XIV and the Politics of Spectacle
- Autor: Georgia J. Cowart
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 18 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
LIBRO The Triumph of Pleasure: Louis XIV and the Politics of Spectacle de Georgia J. Cowart PDF ePub
Project MUSE - The Triumph of Pleasure: Louis XIV and the ~ The Triumph of Pleasure: Louis XIV and the Politics of Spectacle by Georgia J. Cowart . 2008. Chicago and London: University of Chicago Press. xxiii + 299 pp. 8 color plates, 17 black-and-white illustrations, 19 musical examples, bibliography and index. $55.00 cloth.
The Triumph of Pleasure: Louis XIV and the Politics of ~ “The Triumph of Pleasure is a splendid addition to the literature on French baroque music. Cowart makes a strong argument for her position that many works from the late seventeenth and early eighteenth centuries constitute an unofficial counterculture, diametrically opposed to the official court culture in the later years of Louis XIV’s reign.
The triumph of pleasure : Louis XIV & the politics of ~ Get this from a library! The triumph of pleasure : Louis XIV & the politics of spectacle. [Georgia Cowart] -- "Prominent components of Louis XIV's propaganda, the arts of spectacle also became sources of a potent resistance to the monarchy in late seventeenth-century France. With a particular focus on the .
The triumph of pleasure : Louis XIV & the politics of ~ Carnival, commedia dell'arte & the triumph of folly : the ballet at the Paris Opéra, 1699-1718; Watteau's Cythera, the opéra-ballet & the staging of pleasure. Summary Prominent components of Louis XIV's propaganda, the arts of spectacle also became sources of a potent resistance to the monarchy in late seventeenth-century France.
The Triumph of Pleasure: Louis XIV and the Politics of ~ Perhaps it was always thus, and while propaganda is a somewhat anachronistic term for the arts of spectacle produced in the long and increasingly troubled reign of Louis XIV (1643-1715), Georgia Cowart persuasively argues that the era's entertainments staged the complex interplay between the politics of centralised power and the "prerogatives of pleasure".
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